This The Flat Head 11oz "Native American" Jacquard Loopwheeled Cardigan was worn by CORLECTION's Lee, who shares here:
"If my memory serves me right, I purchased this cardigan back in 2014. I remember seeing Kobayashi San, the original founder of The Flat Head, wearing this exact cardigan at a TFH exhibition, layered over one of their Type III denim jackets. At the time, I had never seen a wide-shouldered, short, boxy-fitting cardigan look that cool. That moment alone convinced me to buy the very same piece.
To be honest, during the first year of owning it, it wasn’t my favourite. Slim fits were trending in Australia back then, and this silhouette felt different from what I was used to. But over the past 10 years, my appreciation for it has only grown. The fit, the character, and the way it ages have made it something truly personal. I’ve worn this cardigan for over a decade — and I kept wearing it until it’s no longer wearable."
"The original hand feel of this 11oz cardigan was incredibly fluffy and buttery soft. The interior was heavily brushed, creating a rich, hairy texture that almost felt like cashmere against the skin.
After more than a decade of wear and washing, the 11oz loopwheeled fabric has softened and lightened significantly — it honestly feels closer to 5oz now. These days, the texture reminds me of a finely made Japanese towel… "
"To achieve a sharper 'Native American' pattern, this fabric was produced using both a vintage jacquard knitting machine and a vintage loopwheel machine. The yarns were thread-dyed rather than piece-dyed, allowing the colours to age beautifully over time and develop an authentic vintage character."
"To help it retain its structure, even the ribbed sections were knitted on a vintage knitting machine. After 10 years of wear, although the body fabric shows signs of aging and worn-in character, the collar and cuffs still hold their shape firmly — like old soldiers standing steadfast on the front line, never breaking their promise."
"I’ve never felt shy about showing how heavily worn this cardigan is. To me, it’s like an old veteran, carrying scars across his body and face. Those marks are not flaws — they are honour itself. It doesn’t need to speak. When it’s in front of you, it already tells its story — quietly, but with presence."